The Filmmaking Library

Titles

• An Actor Prepares, Konstantin Stanislavsky (Acting & Performance)
• Respect for acting, Uta Hagen (Acting & Performance)
• A challenge for the actor, Uta Hagen (Acting & Performance)
• Sanford Meisner on acting, Sanford Meisner (Acting & Performance)
• Audition, Michael Shurtleff (Acting & Performance)
• True and False, David Mamet (Acting & Performance)
• The power of the actor, Ivana Chubbuck (Acting & Performance)
• Acting for the camera, Tony Barr (Acting & Performance)
• Impro, Keith Johnstone (Acting & Performance)
• The actor's life, Jenna Fischer (Acting & Performance)
• Year of the King, Antony Sher (Acting & Performance)
• On acting, Laurence Olivier (Acting & Performance)
• Acting in film, Michael Caine (Acting & Performance)
• Building a Character, Konstantin Stanislavsky (Acting & Performance)
• The actor's art and craft, William Esper (Acting & Performance)
• Me. Stories of My Life, Katharine Hepburn (Biographies & Memoirs)
• Born standing up, Steve Martin (Biographies & Memoirs)
• Bossypants, Tina Fey (Biographies & Memoirs)
• Yes Please, Amy Poehler (Biographies & Memoirs)
• The Kid Stays in the Picture, Robert Evans (Biographies & Memoirs)
• Spike Lee, Kaleem Aftab (Biographies & Memoirs)
• My Last Sigh Vintage, Luis Buñuel (Biographies & Memoirs)
• Laterna magica, Ingmar Bergman (Biographies & Memoirs)
• My autobiography, Charlie Chaplin (Biographies & Memoirs)
• Life itself, Roger Ebert (Biographies & Memoirs)
• Apropos of Nothing, Woody Allen (Biographies & Memoirs)
• Greenlights, Matthew McConaughey (Biographies & Memoirs)
• Sonny Boy, Al Pacino (Biographies & Memoirs)
• Down the rabbit hole, Holly Madison (Biographies & Memoirs)
• Room to Dream, David Lynch, Kristine McKenna (Biographies & Memoirs)
• Catch Me If You Can, Frank Abagnale (Biographies & Memoirs)
• Blue nights, Joan Didion (Biographies & Memoirs)
• Story, Robert McKee (Screenwriting)
• Save the cat!, Blake Snyder (Screenwriting)
• Screenplay, Syd Field (Screenwriting)
• The screenwriter's bible, David Trottier (Screenwriting)
• Adventures in the screen trade, William Goldman (Screenwriting)
• Which lie did I tell?, William Goldman (Screenwriting)
• The anatomy of story, John Truby (Screenwriting)
• Writing screenplays that sell, Michael Hauge (Screenwriting)
• Making a good script great, Linda Seger (Screenwriting)
• The writer's journey, Christopher Vogler (Screenwriting)
• The Idea, Erik Bork (Screenwriting)
• Your Screenplay Sucks!, William M Akers (Screenwriting)
• Writing the Character-Centered Screenplay, Andrew Horton (Screenwriting)
• The tools of screenwriting, Howard, David (Screenwriting)
• Alternative scriptwriting, Ken Dancyger, Jeff Rush (Screenwriting)
• Crafty screenwriting, Alex Epstein (Screenwriting)
• How not to write a screenplay, Denny Martin Flinn (Screenwriting)
• Writing Movies for Fun and Profit, Thomas Lennon, Robert Ben Garant (Screenwriting)
• On Writing, Stephen King (Screenwriting)
• The Screenwriter's Workbook, Syd Field (Screenwriting)
• Poetics, Aristotle (Screenwriting)
• Dialogue, Robert McKee (Screenwriting)
• Character, Robert Mckee (Screenwriting)
• On directing film, David Mamet (Directing)
• Directing, Michael Rabiger (Directing)
• Making movies, Sidney Lumet (Directing)
• Sculpting in Time, Andrey Tarkovsky (Directing)
• Notes on the Cinematographer (Sun and Moon Classics), Robert Bresson (Directing)
• Directing Actors, Judith Weston (Directing)
• The film director's intuition, Judith Weston (Directing)
• Rebel Without a Crew, Robert Rodriguez (Directing)
• Film directing shot by shot, Steven D. Katz (Directing)
• Film Directing, Cinematic Motion, Steven D. Katz (Directing)
• The filmmaker's handbook, Steven Ascher, Edward Pincus (Directing)
• Hitchcock, François Truffaut, Alfred Hitchcock (Directing)
• Gama no abura, Akira Kurosawa (Directing)
• Herzog on Herzog, Herzog, Werner (Directing)
• Lynch on Lynch, Chris Rodley (Directing)
• Scorsese on Scorsese, Martin Scorsese, David Thompson (Directing)
• Sidney Lumet, Joanna E. Rapf (Directing)
• Directing the documentary, Michael Rabiger (Directing)
• Setting up your shots, Jeremy Vineyard (Directing)
• The Visual Story, Bruce Block (Directing)
• Grammar of the shot, Christopher J. Bowen (Directing)
• Master shots, volume 2, Christopher Kenworthy (Directing)
• Painting with light, Alton, John. (Cinematography)
• Cinematography : Theory and Practice, Blain Brown (Cinematography)
• Masters of light, Dennis Schaefer, Larry Salvato (Cinematography)
• The five C's of cinematography, Joseph V. Mascelli (Cinematography)
• Motion Picture and Video Lighting, Blain Brown (Cinematography)
• Set lighting technician's handbook, Harry C. Box (Cinematography)
• The filmmaker's eye, Gustavo Mercado (Cinematography)
• Every frame a Rembrandt, Andrew Laszlo (Cinematography)
• Cinematography, J. Kris Malkiewicz, Kris Malkiewicz (Cinematography)
• Film lighting, Kris Malkiewicz (Cinematography)
• Light-- science and magic, Fil Hunter, Steven Biver (Cinematography)
• The camera assistant's manual, David E. Elkins (Cinematography)
• Matters of Light & Depth, Ross Lowell (Cinematography)
• Vittorio Storaro: Writing with Light: Volume 1, Vittorio Storaro (Cinematography)
• The art and technique of digital color correction, Steve Hullfish (Cinematography)
• Color correction handbook, Alexis Van Hurkman (Cinematography)
• In the blink of an eye, Walter Murch (Editing)
• The Conversations, Michael Ondaatje (Editing)
• On film editing, Edward Dmytryk (Editing)
• The technique of film and video editing, Ken Dancyger (Editing)
• First Cut, Gabriella Oldham (Editing)
• Cut to the chase, Sam O'Steen (Editing)
• Make the cut, Lori Jane Coleman (Editing)
• The healthy edit, John Rosenberg (Editing)
• The Eye is Quicker: Film Editing, Richard D. Pepperman (Editing)
• Behind the seen, Charles Koppelman (Editing)
• The film editing room handbook, Norman Hollyn (Editing)
• The complete film production handbook, Eve Light Honthaner (Producing & Business)
• Down and dirty pictures, Peter Biskind (Producing & Business)
• The Hollywood standard, Riley, Christopher (Producing & Business)
• Film production management 101, Deborah S. Patz (Producing & Business)
• Producer to producer, Maureen A. Ryan (Producing & Business)
• The independent film producer's survival guide, J. Gunnar Erickson (Producing & Business)
• Shooting to kill, Christine Vachon, David Edelstein (Producing & Business)
• The biz, Schuyler M. Moore (Producing & Business)
• Filmmaking for dummies, Bryan Michael Stoller (Producing & Business)
• What they don't teach you at film school, Camille Landau (Producing & Business)
• Film finance handbook, Adam P. Davies, Nic Wistreich (Producing & Business)
• Selling Your Film Without Selling Your Soul, The Film Collaborative, Jon Reiss (Producing & Business)
• Think Outside The Box Office The Ultimate Guide To Film Distribution In The Digital Era, Jon Reiss (Producing & Business)
• Hollywood Economics, Arthur S. De Vany (Producing & Business)
• The big picture, Edward Jay Epstein (Producing & Business)
• Powerhouse, James A. Miller (Producing & Business)
• Sound Design, David Sonnenschein (Sound & Music)
• The sound effects bible, Ric Viers (Sound & Music)
• Sound for film and television, Tomlinson Holman (Sound & Music)
• Practical art of motion picture sound, David Lewis Yewdall (Sound & Music)
• The location sound bible, Ric Viers (Sound & Music)
• On the Track, Fred Karlin (Sound & Music)
• Complete guide to film scoring, Davis, Richard (Sound & Music)
• Hearing Film, Anahid Kassabian (Sound & Music)
• The foley grail, Vanessa Theme Ament (Sound & Music)
• Dialogue editing for motion pictures, John Purcell (Sound & Music)
• The filmmaker's guide to production design, Vincent LoBrutto (Production Design & Costume)
• What an art director does, Ward Preston (Production Design & Costume)
• Costume design 101, Richard La Motte (Production Design & Costume)
• Film style and technology, Barry Salt (Production Design & Costume)
• By design, Vincent LoBrutto (Production Design & Costume)
• The art direction handbook for film, Michael Rizzo (Production Design & Costume)
• Production design & art direction, Peter Ettedgui (Production Design & Costume)
• Cinema by Design, Lucy Fischer (Production Design & Costume)
• The animator's survival kit, Richard Williams (Animation & VFX)
• The illusion of life, Frank Thomas Bullen, Ollie Johnston (Animation & VFX)
• Timing for animation, Harold Whitaker, John Halas (Animation & VFX)
• Character animation crash course!, Goldberg, Eric. (Animation & VFX)
• The art of 3-D computer animation and effects, Isaac Victor Kerlow (Animation & VFX)
• The VES handbook of visual effects, Jeffrey A. Okun, Susan Zwerman (Animation & VFX)
• Digital Compositing for Film and Video, Wright, Steve (Animation & VFX)
• Creating motion graphics with After Effects, Trish Meyer, Chris Meyer (Animation & VFX)
• Filmmaker's Guide to Visual Effects, Eran Dinur (Animation & VFX)
• Stop Motion, Susannah Shaw (Animation & VFX)
• Cartoon modern, Amid Amidi (Animation & VFX)
• Creativity, Inc., Ed Catmull, Amy Wallace (Animation & VFX)
• What Is Cinema? (Vol 1) (What is Cinema?), Andre Bazin (Film Theory & Criticism)
• Film form, Sergei Eisenstein (Film Theory & Criticism)
• The film sense, Sergei Eisenstein, Jay Leyda (Film Theory & Criticism)
• Theory of film, Siegfried Kracauer (Film Theory & Criticism)
• Ways of Seeing, John Berger (Film Theory & Criticism)
• Visual and other pleasures, Laura Mulvey (Film Theory & Criticism)
• Film Theory, Thomas Elsaesser (Film Theory & Criticism)
• Movies and meaning, Prince, Stephen, Stephen R. Prince (Film Theory & Criticism)
• How to read a film, Monaco, James., James Monaco (Film Theory & Criticism)
• Signs and meaning in the cinema, Peter Wollen (Film Theory & Criticism)
• Cinema 1 The Movement Image, Gilles Deleuze (Film Theory & Criticism)
• Cinema 2 The Time Image, Gilles Deleuze (Film Theory & Criticism)
• Narration in the fiction film, David Bordwell (Film Theory & Criticism)
• The Way Hollywood Tells It, David Bordwell (Film Theory & Criticism)
• Transcendental style in film: Ozu, Bresson, Dreyer, Paul Schrader (Film Theory & Criticism)
• Film theory and criticism, Gerald Mast, Marshall Cohen (Film Theory & Criticism)
• The Cinema Book, Pam Cook (Film Theory & Criticism)
• The story of film, Mark Cousins (Film History)
• A short history of film, Wheeler Winston Dixon, Gwendolyn Audrey Foster (Film History)
• Easy riders, raging bulls, Peter Biskind (Film History)
• The genius of the system, Thomas Schatz (Film History)
• Hollywood Babylon, Kenneth Anger (Film History)
• The Parade's Gone By..., Kevin Brownlow (Film History)
• Pictures at a Revolution, Mark Harris (Film History)
• Five Came Back, Mark Harris (Film History)
• City of Nets, Otto Friedrich (Film History)
• An Empire of Their Own, Neal Gabler (Film History)
• The studio, John Gregory Dunne (Film History)
• Movie wars, Jonathan Rosenbaum (Film History)
• Black Film, British Cinema (ICA Documents), Kobena Mercer (Film History)
• Reel to real, Bell Hooks (Film History)
• Making movies Black, Thomas Cripps (Film History)
• Japanese cinema, Donald Richie (Film History)
• A Hundred Years of Japanese Film, Donald Richie (Film History)
• Directing the documentary, Michael Rabiger (Documentary)
• Documentary storytelling, Sheila Curran Bernard (Documentary)
• Introduction to documentary, Bill Nichols (Documentary)
• Representing reality, Bill Nichols (Documentary)
• The documentary film makers handbook, Genevieve Jolliffe, Andrew Zinnes (Documentary)
• Cinema verite in America: studies in uncontrolled documentary, Stephen Mamber (Documentary)
• Making documentary films and videos, Barry Hampe (Documentary)
• Producing with passion, Dorothy Fadiman (Documentary)
• Archival storytelling, Sheila Curran Bernard (Documentary)
• Pulp fiction, Quentin Tarantino (Screenplays & Scripts)
• Parasite, Bong Joon Ho (Screenplays & Scripts)
• The Grand Budapest Hotel, Wes Anderson (Screenplays & Scripts)
• Eternal Sunshine of the Spotless Mind: The Shooting Script, Charlie Kaufman (Screenplays & Scripts)
• Little Miss Sunshine, Michael D. Arndt (Screenplays & Scripts)
• Juno, Diablo Cody (Screenplays & Scripts)
• Manchester by the Sea, Kenneth Lonergan (Screenplays & Scripts)